Black Arts Alliance's magazine; Correcting the Picture: conference Where do We Go From Here? The Future of Afrikan Caribbean Theatre in Britain: a one-day national conference (1998); The Empire Strikes Back: leaflets of the play; The Invisible Voice: Where Does Black and Asian British Writing Fit into the Life of This Country?: open Forum with Bonnie Greer and Michael Phillips (1998); There Are No Limitations: seminar on creativity; Black Disabled Communities Project (1997); London Arts Board seminar (1997); West Yorkshire Playhouse programme for Black History Month (1997); Moving into Performance Report (1994): European Mime and Theatre Workshop symposium; Royal Society for the Encouragement of Arts: NESTA 1997 - The National Endowment from Science, Technology and the Arts. Production leaflets.
Paperwork on the administration of seminars and workshops: youth and community services listing. Seminars authors include Philip Hedley, Leonie Forbes, Lloyd Richard. Hand-written notes, planning sheets, list of participants on workshops led by Yvonne Brewster, correspondence with theatre companies and workshops organisers.
Speaker notes: hand-written information gathered by the organisation over several events; associate material; planning. Events include: The Future of Black Performance; Where Do We Go From Here?; Correcting the Picture; mailing list; correspondence; information on potential venues, brochures; notes on speakers, personal details, Future Histories conference: details costs including breakdown.
Contact details of the companies under the umbrella of the organisation or working with the organisation (listing); material gathered in view of compiling a theatre directory; Association of Dance of the African Diaspora newsletter; correspondence; brochure and information on Carib Carl Campbell company. Other theatre companies include: Talawa; Black Theatre Co-operative; NIA Centre; Yaa Asantewaa; Maya Productions; Tara Arts; International Arts; New Perspective Theatre company; The Voice Box.
Job description for the Drama Training Co-ordinator; Mime Theatre Report; New Playwrights Trust and Talawa correspondence; From Margin to Mainstream: A Celebration of Afrikan Caribbean Arts article; meeting report from the Mime Action group; Insight Art Trust's annual report (1993); Clean Break theatre company's job description for the Drama Training Co-ordinator; photographs of artists and performances include a portrait of theatre director Yvonne Brewster.
Press cuttings from the plays Song of Death by Tewfik Al-Hakim and Lazarus and His Beloved by Kahlil Gibran. Photocopies of articles from foreign and British press focusing of the two plays directed by Renu Setna.
